There’s no doubt sync has become an increasingly important income stream for songwriters and composers over recent years.
The sector is booming with evolving opportunities from gaming to new media, user generated content and beyond – but it’s also oversaturated in terms of the musical talent trying to break into it.
So, how do you get your foot in the door, and once in, what’s the best way to tackle a tricky brief? Are there any legal considerations you should bear in mind, and what makes a track ‘syncable’?
